Amorn is renowned for his mastery of Mezzotint printmaking, a challenging intaglio technique invented in 1642 by German military officer Ludwig von Siegen. The term “Mezzotint” derives from the Italian words “mezzo” (half/reduced) and “tinta” (shade or tone/shadow). The technique involves roughening the entire surface of the plate using a “Rocker” to create a dark, uniformly rough texture, then gradually smoothing areas with “Scrapers” and “Burnishers” to achieve subtle transitions from dark to light tones.

His work expresses stories and captures feelings, often focusing on decay, dimness, and the passage of time. He attempts to make that which must fade, linger eternally. He uses architectural elements, such as the structure of houses, to represent the existence of life and historical narratives. The resulting manipulation of light and shadow creates an atmosphere of tranquility, nostalgia, isolation, and abandonment.

While maintaining the traditional methods of mezzotint, his approach has evolved to blend tradition with innovation, adapting to the faster-paced, technology-influenced modern lifestyle. He has also invented and modified tools for creating art using materials that are readily available in his surroundings